Women's Work is an evening length dance, with music composed by Terry Dame. It was first produced at Cal Arts (Dec. 1997) and then at WOW New York (Aug. 1998) under a new title, Everyday. Sheet Music, an excerpt of Women's Work, was performed in October 1999 in the California Choreographer's Dance Festival at the Laguna Museum of Art and at the Armand Hammer Museum in Los Angeles.

Women's Work re-presents so called women's jobs and examines quotidian tasks in relation to women's roles within society. Terry Dame composed music that was played live on instruments made from house hold items such as vacuum cleaners, pencil sharpeners, typewriters and tuned glasses and pie plates. Women's Work recalls the ritual and community resulting from women's common responsibilities as domestic servants. Women's Work includes an interactive dance where dancers move mechanically on and around sensors which trigger sound clips of archival "Rosie the Riveter" footage thereby creating their own sound score. The evening length work concludes with a dance which utilizes reams of white typing paper to examine the historical transition when women moved into the professional sphere only to find that new choices did not necessarily mean ancient cultural codes vanished.