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2002 Festival
Choreographers:
Please click
on a choreographers name below to read their biography.
Deborah Cohen
Ilaan Egeland
Monica Favand
Carmela Hermann
Hahn Nguyen
Banafsheh Sayyad
Eryn Schon
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Deborah
Cohen
Deborah Cohen
is a dancer/choreographer/video artist and architectural designer. Her
dances and installations have been produced in Columbus, Ohio, Buffalo,
New York, Dance Theater Workshop in New York City, and in Los Angeles.
She grew up in Hollywood, danced in films and on television. Cohen received
her Bachelor of Architecture degree from the Southern California Institute
of Architecture (SCI-Arc) in 1998. She is the recipient of awards from
the National Endowment for the Arts, The Southern California Institute
of Architecture, The Ohio Arts and Humanities Councils. She has published
two limited edition books and taught at Loyola Marymount University, The
Los Angeles Job Corp, The Southern California Institute of Architecture
(SCI-Arc), Marymount College, and at the Museum of Contemporary Art (MOCA),
where she is an educator in the Public Outreach program.
e-mail
Deborah
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photo:
Birte Riemer
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Ilaan
Egeland
Ilaan Egeland
is a bi-coastal choreographer/performer. She danced with David Rousseve/REALITY
from 1997-2000, touring the acclaimed work, Love Songs. She also worked
with Victoria Marks, Susan Rose, Heidi Duckler, Yoshiko Chuma (Lexington
Center for the Arts), Bebe Miller (Atlantic Center for the Arts). In Los
Angeles, her choreography has been presented by Highways Performance Space,
Los Angeles Contemporary Exhibitions (LACE), UCLA's Hammer Museum, the
Japan American Theater, Beyond Baroque, The Getty Museum, and Sushi (San
Diego). Her work has twice been funded by the Cultural Affairs Department
of Los Angeles. Ilaan danced in the LA productions of From The Horses
Mouth and White Oak's Past Forward. Her one woman show, Stripping the
Veneer, was premiered at Highways and had runs at Sushi, UCLA's Hammer
Museum and last December at Joyce SoHO in NYC. Also in New York, Ilaan's
dance group, (ie)dance, performed at Dixon Place, HERE, The Knitting Factory,
Context Studios, Dia Center for the Arts, Mulberry Street Theater and
P.S. 122. While in NYC she founded the ongoing, monthly dance series UNDER
EXPOSED at Dixon Place. Ilaan has been on the faculty of UCLA, Cal State
Los Angeles, Loyola Marymount, and Long Island University in Brooklyn.
She has guest taught at many schools including Long Beach State, UC San
Diego, Eastman School of Music, and Montana University. Ilaan also teaches
the Gyrotonic Expansion System. Most recently she completed commissions
for the University of California, San Diego and Rio Hondo College, LA.
Last March Ilaan was a Djerassi Resident Artist to develop new work and
experiment with a creative processes she calls "Capturing."
This is the same process she will be employing to make a new work for
the Dance Moving Forward Festival 2002. Ilaan holds her MFA from UCLA's
Department of World Arts and Cultures and a BFA from Cal Arts.
e-mail
Ilaan
http://home.earthlink.net/~ilaan
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photo:
Gillermo Bert |
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Monica
Favand
Monica Favand
is the Artistic Director of TRIP Dance Theatre, a Los Angeles based collective
of dancers & musicians creating thought-provoking and provocative
dance-theatre in Los Angeles since 1996. Her choreography has been performed
by the Pennsylvania Ballet, the Group Motion Company of Philadelphia and
TRIP Dance Theatre, filmed by PBS, performed in the U.S., Europe and South
America, and broadcast on public television in Los Angeles and Philadelphia.
Locally, TRIP and Monica Favand have been presented by the John Anson
Ford Ampitheatre, Cal State Longbeach/Martha Knoebel Theatre, the James
Armstrong Theatre, UCLA's Armand Hammer Museum, Occidental College, and
the Will Geer Theatricum Botanicum, among many others. Monica's work has
been supported by the Pennsylvania Council on the Arts, the California
Arts Council, the Los Angeles County Arts Commission and the James Irvine
Foundation. She is a graduate of the Baltimore School for the Arts and
received her B.F.A. in Dance from Temple University. Currently, Monica
is directing TRIP Dance Theatre in 'Full Moon Burning" of which the
work featured in DMFF 2002 is a part. She is co-facilitator of the Sacred
Spaces Workshop, a community-based improvisational movement workshop with
live music offered each Thursday evening at the Church in Ocean Park in
Santa Monica. Monica would like to gratefully acknowledge composer Charlie
Campagna and each of the dancers for their contributions to this new work.
e-mail
Monica
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Carmela
Hermann
Carmela Hermann
M.F.A, creates choreographed and improvised dances. She has appeared in
such venues as Highways Performance Space, Sushi Performance and Visual
Art, The J. Paul Getty Center, and Judson Church, performing her own work
and in the works of artists such as Simone Forti, Victoria Marks, Tom
Young, Lower Left Dance and Luke Johnson. Carmela is the founder of Making
Dances Workshop, a workshop that provides a forum for artists of various
backgrounds to create and perform dances with the supportive feedback
of fellow artists. In addition she has spent the last ten years studying
and teaching the Feldenkrais Method, the Dance Alive Method and other
forms of movement that bring deeper awareness into the connection between
the mind and the body. She maintains a private bodywork practice and is
a certified Applied Feldenkrais Instructor and Dance Alive Instructor.
e-mail
Carmela
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photo:
Carol Peterson
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Hahn
Nguyen
Hanh Nguyen
earned a Bachelor of Science in Computer Information Systems from California
State Polytechnic University, Pomona and a Bachelor of Fine Arts in Dance
Performance and Choreography from the California State University, Long
Beach. Before focusing on performance and choreography, Hanh worked six
years as a Business Application Programmer/Analyst for McDonnell Douglas
Aircraft Corporation, now Boeing. Hanh has attended the Martha Graham
Contemporary School, NYU Tisch School of the Arts, American Dance Festival,
and Trisha Brown workshop. Hanh has previous training in gymnastics and
currently has a International Degree level training in Martial Arts towards
First Degree Black Belt at the school of Oom Yung Doe. She holds yoga
teacher training certificate with Eric Schiffmann at the Costa Mesa Yoga
Place and Ashtanga yoga teacher training with David Swenson. Also among
her credits is staging student work Gotcha and Excerpts
from What at the Doug Varone workshop in Purchase, New York and
a showing of works at Dance Space in New York City in which she brought
her trio Pure Strings with music composed by Andre Gribou.
Hanh has gone on to merge her talents into Orange County based Notoriety,
Inc. Hanh is founder, and president of Notoriety, Inc. and serves as Executive/Artistic
Director and lead Board of Directors member of this eclectic modern dance
company. Notoriety, Inc. is a contemporary dance company that combines
modern dance with Asian cultural influences of Martial Arts and Yoga.
Hanhs first large scale production was held at the Martha B. Knoebel
Theater on the campus of the California State University Long Beach and
was co-sponsored by the Dance Department. Hanhs recent accomplishment
was staging her evening length work at The Space in Irvine
and becoming a yoga teacher at Irvine Dance Academy. Notoriety, Inc.,
will perform in the LA Arts Day, October 5th, 2002 at the Warner Grand
Theatre, San Pedro and is collaborating with Santiago Youth String Group
Orchestra for a performance on April 6, 2003 at the Irvine Barclay Theater.
Hanh has studied with Jeff Slayton, Keith Johnson, Della Davidson, Loretta
Livingston, Susan McLain, Doug Varone summer workshop, among other New
York choreographers. Hanhs work has been viewed by the notable organization,
Doug Varone and Dancers. This is Hanhs first attempt to set work
for the Dance Moving Forward Festival and to perform at Highways Performance
Space.
e-mail
Hahn
www.notorietydance.org
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photo:
Keith Ian Polaloff |
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Banafsheh
Sayyad
Banafsheh
Sayyad, dancer, choreographer and Artistic Director of Namah Ensemble
is interested in navigating in the unknown with physically charged yet
quietly intuitive movement. Her dances are an interplay between trance
and directed movement. In her work she fuses her extensive background
in Flamenco, Tai Chi and Persian dance with eastern philosophy. Banafsheh
studied in the MFA program in Dance at UCLA where she also taught Persian
Dance. A licensed acupuncturist and herbalist, she is interested in the
healing dimensions of dance. Her work with Namah Ensemble has been presented
twice by the SF Ethnic Dance Festival, LATC, Skirball Cultural Center,
The World Festival of Sacred Music at UCLA, Dance Kaleidoscope 2000, The
UK Festival of Persian Music & Dance in London, The Festival of Iranian
Theater in Hamburg, The Persian Arts Festival in Cologne, Germany, The
Persian Arts Society in Los Angeles, The Museum of History & Industry
in Seattle, WA and the SF World Music Festival. Part whirling dervish,
part flamenco femme fatale, sensuous and audacious, Sayyads Cycle
of Fire is a mesmerizing foray into the body as trance mechanism; a DNA
strand, supple, fluid and noble, come to life. (Victoria Looseleaf,
Los Angeles Times)
e-mail
Banafsheh
www.namah.net
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Eryn
Schon
Eryn Schon
was born in Willits, California in 1979. She danced her way through childhood
studying Modern, Ballet and Jazz. She went on to attend Cornish Collage
of the Arts in Seattle, Wa, where she graduated with a BFA in dance in
2001. Eryn has danced with choreographers such as AC. Peterson Dance,
Erica Rebollar, Eko Supriyanto, Carol McDowell, Corrie Beffort, Alison
Van Dyke, Joe Goode, and many others. In the summer of 2000 she was one
of four American choreographers to tour and teach workshops in Indonesia.
And in the summer of 2001 she returned for four months to Indonesia to
tour more of her choreography, teach and collaborate with artists there.
She moved to LA in January of 2002, and is currently dancing for Erica
Rebollar and Carol Mc Dowell. Eryn has been working on her own choreography
as well as collaborating with a fellow Cornish graduate Darcy Rubel who
is living in Seattle. Together they have established Maaj, a collaborative
cross-disciplined theater company, which will debut Mixed Emotion
in the spring of 2003. Eryns belief in arts education for children
has carried through to LA. At present, she is part of a group of artist
that guest teach in the Glendale School district. Eryn is also a photographer
and video artist. She has been collaborating with director and editor
Carol McDowell. Their dance video works have shown at Highways, the Electric
lodge and UCLA. Eryn is also working on a visual art collage project that
has spanned over the last three years. When she is not lost in art projects
she works four days a week at Orchid Fever, which is a series of four
green houses filled with orchids in Culver City. She also goes dancing
and hiking, and loves to visit friends.
e-mail
Eryn
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photo:
Carol Peterson
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